关于母亲的歌词

1、儿女对母亲的爱，同母亲对儿女的爱，是如此不成比例，以至于我们那点爱都带上了表演性质！

2、把爱全给了我，把世界给了我，从此不知你心中苦与乐。多想靠近你，依偎在你温暖寂寞的怀里；多想告诉你，你的寂寞我的心痛在一起。——《懂你》(满文军)

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4、一首我娘要走不要忙，儿女给你花钱香。金桥土地来接引，过了金桥信四方。金桥本是善人走，奈何桥上罪人行。桥上坐的桥土地，金桥银桥送一程。我娘在生行善果，脚踏莲花朵朵香。一路行程无阻挡，路途之上放毫光。千个神佛来接引，万个菩萨来渡娘。娘走阎王门前过，阎王见了叫装香。十八地狱娘无罪，望乡台上望故乡。我娘吃茶花仔细，恐怕错吃迷魂汤。迷魂汤儿吞下肚，迷了心宫走忙忙。到处行来多快乐，西方世界走一场。我娘去时慢慢走，四家之时走忙忙。灵前供又敬娘饭，不见我娘亲品尝。娘在生前管家务，娘死之后无主张。亲朋姊妹来看你，之见灵位不见娘。唯愿神佛来接你，来接我娘到西方。我娘恩深时时报，早晚灵前一排香。不闻娘声和娘面，只守灵堂哭一场。灵前不哀非孝子，带起笑帕是孝人。一愿我娘离苦海，二愿我娘上天堂。若想我娘来相会，除非南柯梦一场。二首一堆纸钱三斤边烧纸来边路哭。跪起烧的落气钱，合共烧的三斤六。儿子烧钱一大堆，姑娘烧的满天飞。将他灰尘来搂起，帮娘装在引袋头。白灰飞往西天云，金童玉女来相迎。黑灰落在地狱门，阎王老爷来查人。我娘听到这句话，周身汗水湿衣裳。桥梁土地来陪伴，我娘愿是吃斋人。判官小鬼来斤票，斤得我娘上金桥。金桥上面我娘过，我娘修德上天庭。没有那样报娘恩，香花蜡烛来敬娘。三首我娘得病在高堂，儿在长街找药方。虽然药方找到了，挑干井水命不强。阴间阎王信来到，一入幽冥不还乡。喉干断了三寸气，丢下儿女守空房。在生之时应尽孝，披麻戴孝哭一场。阴间派人来接你，引魂童子一双双。月缺尚有团圆时，雨打残花不回春。想起恩情实难报，不由儿女哭一场。四首四块板子一样长，两块阴来两块阳。阳的两块阳间过，阴的两块拿停娘。这个凉床停好了，我娘反手要哪桩。三斤六两烧给你，娘拿慢走又慢行。一走走到金口店，二走走到阎王门。金口店来阎王门，铁索链子响沉沉。铁索链子容易过，阴司道路实难行。五首外家后园洋荷台，我娘得病赶我来。即时赶我即时来，冤家空起两手来。即时赶我即时来，未缝衣服未做鞋。是路龙如放小跑，恐怕我娘望不倒。一走走到半路上，不知得望不得望。新起房屋砌毛墙，一心想起我的娘。昨夜得个月圆梦，梦见我娘上凉床。今早一时赶信拢，我娘已死会阎王。利信之后我就走，下午之时我就拢。一走走到坝坟头，不见我娘在哪方。一走走到院坝头，兄弟姊妹不见娘。一走走到堂屋头，堂屋中间停我娘。冤家伸手摸一把，周身冷厉象邹霜。苦蒿棍来苦蒿林，我帮我娘找苦情。我娘苦情找到了，苦死磨活一世人。人人说是黄连苦，娘比黄连苦十分。爹妈养我空指望，不在家中孝爹娘。兄弟姐妹孝道好，孝道我娘上山岗。

5、从这十首诗中，我们能感受母亲怀孕时的欣喜，抚育中的艰辛；母子离别的思念，儿女归家的喜悦；还有，当母亲老去时，儿女的悲伤和愧疚……

6、图：“你养我长大，我陪你变老”，这是在成都，送货员蔡玉俊带着92岁痴呆老母亲上班。

7、《慈祥的母亲》这首歌可以说被降央唱绝了，情真意切，余音绕梁，深受广大听从的喜爱，有的更痛心疾首表示，今后要更孝敬母亲，可见其艺术感染力，其作用远大于政治思想和道德教育。一首优秀的歌曲离不开歌手的演唱，同样也离不开词曲作者的创作，三者密不可分，相辅相承。这里就谈谈我对这首歌词的理解。

8、你爱吃的那三鲜馅有人给你 你委屈的泪花有人给你擦

9、到什么时候也不能忘咱的妈拓展资料：阎维文，1957年8月26日生于山西省平遥县，中国人民解放军总政歌舞团男高音歌唱家，中国国家一级演员，中国音乐家协会理事，享受正军级待遇。

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12、很多人从墙的左边走到右边，感觉就像重新出生、长大了一次。当面对最后一幅画时，看到女儿抱着母亲曾经穿过的衣物，回忆母亲生前播撒的爱，每个人都会悲从心起，忍不住啜泣。

13、天下的爱大多是为了团聚，只有父母对儿女之爱是为了分离。当孩子翅膀硬了，要远走高飞了，母亲是那样依依不舍，但她绝不会拦住你远行的脚步，她只能默默地把爱缝在每个针脚里。